Friday, January 3, 2020

BIOGRAPHY


BIOGRAPHY
Ssenyonga Oscar is a 25-year-old Ugandan dancer, raised in Kasubi, suburb of Kampala, Uganda, East Africa. Already at the age of six, began to participate in cultural dances as a hobby.
If not for the dance, Ssenyonga says the hostile neighborhood of Kasubi would have led him to crime. According to his words: Most of the people I grew up with in Kasubi are in prison, dead or crazy. I am therefore grateful to my mother who encouraged me to dance because it kept me productively engaged.
Ssenyonga holds a bachelor's degree in Fashion and Design from YMCA University and has participated in several short courses in art and cultural management.
In 2013 and 2014, he attended the invitation of École Des Sables, from Senegal, directed by Germaine Acogny, where he studied contemporary and African dances and met his mentor Patrick Acogny, who introduced him to deconstruction and other choreography tools.
He is a social worker in the performing arts and works with vulnerable communities in Uganda, using dance as an instrument.
He founded the Mambya Performing Arts Foundation and the Mambya Dance Company - MDC, where he is a choreographer and artistic director. These institutions work to train young entrepreneurs in the fields of performing arts and visual arts, providing them with a platform for expression by creating presentations that approach social and political issues. MDC has produced over 200 independent professionals and artists and is currently comprised of 35 professional-level dancers and 10 musicians. It is increasingly evolving in its commitment to host and promote exchanges and dialogues with dancers and choreographers from around the world.
He is professor at the Uganda National Theater and Kyabongo University.
In 2017 he participated, as art director and master of props, in the production of the movie Mercy of the Jungle, directed by Rwanda's film director Joël Karekezi. This work was presented at the Fabrique des Cinemas du Monde at the 2013 Cannes Film Festival. That same year he performed as a guest artist on the Dance Able Netherlands, a platform of the Holland Dance Festival, where he collaborated with artists from Kenya, India, Cambodia and the United Kingdom. That year he received the British Council's NaNa grant, which allowed him, along with his partners from the dance company Pamoja and StopGap, to create a new initiative, entitled "The Road", which debuted in London.
In 2018, Ssenyonga acted as one of the choreographers for MTN's 20th anniversary celebrations, where he worked with his first mentor, playwright Alex Mukulu.
Organizes the Tuzinne International Festival - Where Human Rights Dance, realized annually in Kampala. This festival aims to give vulnerable groups a voice regarding their experiences with human rights.By bridging the gap between artists, companies and dance audiences,
Tuzinne challenge audiences to step out of passive vision by encouraging them to open up to dance as a critical art form.
He also participates in the Nhaka Contemporary Dance Project, which began in 2010 with investigations and instigations by Nora Chipaumire from Zimbabwe. It is a long term research, focused on the black bodies and the products of your imagination.
The project has a collaborative platform where literary and critical texts are produced for the construction of Bhuku's digital book.
Ssenyonga specializes in the integration of traditional East African dances. His work aims to promote the understanding of black bodies, using elements of dance as a way of living and giving back to society, preventing and preserving ancestral inheritances.

Wednesday, December 13, 2017

When you are interested in the history of your motherland, it inspires you to research more about your history, living in a country like Uganda where 85% of the population is under the age of 30, it limits you to find out anyone with the history of 100 years ago, but through dancing you start to discover some of the history that is existing in your body, Karamoja residency.